What does it take to be a great storyteller? by Howard Robinson

I have a theory that I first applied to music some years ago. And that is there are only two types of music – good and bad. It doesn’t matter if it is rock, pop, soul or classical, there is good and bad in every genre. The same is true of fiction. No one genre is better than another; what we must look for and strive to achieve is not only good writing but also great storytelling. 

From talking to people who read as well as write, I have been looking at the traits that make up the most effective storytellers. These are the people who write with energy, who create light and shade in their writing, who surprise themselves as well as the reader and avoid the perils of monotony.

Great storytellers remember that, whether it is the writer’s desire to provoke, shock, amuse or scare, he must also entertain. They must have fun with their readers as they carry them through the story; with them, not at their expense.

The great storytellers are emotive in their writing. They pose questions for us as readers to ponder, they create characters and scenarios with which their readers will identify and care about, and are engaging enough to draw their readers into the story and the worlds which they create. They make us hang on their every word. They build suspense as they write; are consistently unpredictable in the ways in which their stories unfold, and they reflect the way life is as well as we might wish it to be. After all, how predictable is every twist and turn in life?

“To Kill A Mockingbird” is a classic example; it addresses important issues but carries us with it because we care about the injustice being served on Tom Robinson and we invest emotionally in Finch’s morality and determination to provide him with a defence against the odds. It is written with sensitivity, humour and with warmth; it entertains yet it also asks questions our priorities and values. It is as relevant today as it was when it was written. It is a pattern that was used to equally great effect more recently in John Boyne’s “The Boy In The Striped Pyjamas”. Another story of global proportions personified in the simplistic eyes of two small boys, we begin to sense what may be about to happen to both characters. Yet what reader cannot sense the heartbreak rising within them for both Bruno and Samuel as the story’s denouement leaves them both as victims.

Of course, knowing this is no guarantee of being able to carry it off. As Brit Writers all we can do is strive to do our best; to write with honesty and with humanity and, of course, the most beautiful aspect of it all, is that only our readers can ever say whether we have achieved it or not.

by Howard Robinson

The blog for 'Brit Writers and Writers Everywhere' blog.