A while ago, I started speaking of myself
in the third-person voice following the facebook status updates of one of my all-time
favourite poets.
In my attempt to impersonate the third
person voice, I have become neurotically self-critical. Self-criticism, like
all life-drugs, is good only when taken in moderation. Over the past seven
months I have hung on to the thread of hope that the eureka-ish writing will
emerge from the drafts’ pile. None has. But, all is not lost.
third person voice
The third person narrative voice is a
curator of events. It appears to the world that there is a distance between the
objective eye and the subjective self that is being scrutinised. However, it
appears to me that, the third person voice is a misnomer of sorts. The third
person voice shadows the writer’s soul and leads the reader to believe that
there is a chasm between the eye that sees and the object that is seen.
Theoretically, the third person narrator
can be subjective and/or objective; s/he can also be the omniscient narrator or
the narrator with a limited knowledge of the characters s/he is
observing/describing. In either of these narrative oeuvres, there is plenty of
information involved - both tangible and intangible. So, even when the narrator
is only ‘showing’, s/he is already ‘telling’. I begin to realize that ‘showing’
and ‘telling’ are two dialects of the same language.
As the dialectics of techniques ease for
the time being, another realization sets in: the narrative voice is important
only after I have found my writing voice.
looking for voice
The empty writing patch of the past few
months has been filled with moments of extreme self-doubt. Nothing was written
for weeks at a stretch. After the dry spell of words, whatever I wrote appeared
to be dishevelled. The more they were so, the more the self-doubt strengthened.
This unbearable sense of inertia was
accompanied by the knowledge of writers who plod on for hours and years to
create something publishable. The two
sets of thoughts seem to be supplementary, but in reality was bordering on
chaotic cacophony.
It was blinding madness last Friday.
back at the beginning
It is no easy choice to be a writer. The desire
to write infests the mind, body and soul. It needs to grow like a microbe-
taking in the impressions of every moment of life. And then the unbearable load
of perceptions finally make me write. The techniques become viable only
in-between the load-shedding of perceptions.
A new writing blog, Wordiculture,
is born in the process. It is no longer a dream to be a well-known author; it
is now an organic need to write unapologetically. I do not know if the theorem
I propose in Wordiculture will be proved or not.
At this moment, I do not care either.
by Susmita Paul
Brit Writers
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Wow, good thought. What about a second person narrative technique, like Italo Calvino?
ReplyDeleteThanks for your interest in the post Zephyr. Calvino creates narratives in all the 3 voices. He is a master. I try to read and re-read infinitely.
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