Who is
Tom Ellis and what inspired you to write Reunion?
I am a
police officer from Birmingham, in the West Midlands. I currently work as
a response officer, dealing with a variety of immediate and emergency
situations. Having won the GE-Star Student of Europe Award in 2000, after
writing a thesis on Truman Capote’s In Cold Blood, I gathered a
degree in Criminal Pyschology at the University of Sheffield. It was here
that I began to write a series of love poems, and soon found that I had a
passion for romance. Reunion shows this. I was
driving home one day, most likely singing along to some power-ballad, when an
image of a man in a certain situation flashed in my mind. I won’t offer
any spoilers, but this image made me wonder what would drive a man to make this
decision. Reunion is my answer.
Tell us
more about Reunion?
Reunion is
an epic romantic tale set within Ireland at the turn of the 20th Century.
Whilst it’s not a true love story, it is a story about true love itself.
I chose a period, incorporating the build up to World War One and the Irish War
of Independence, which tore families apart. So, wrapped by historical
fact, Reunion tells the tale of two children, Michael Alpin
and Grace Darby, who know from the very first moment that they meet that they
must love each other. However, families, social expectations, and the
conflicted world around them all strive to keep the young lovers apart.
Nevertheless, love finds a way and in Reunion we see a
romantic triumph in what could also be regarded as an utter tragedy. Reunion is
a classic take on the ‘poor-boy’ meets ‘rich-girl’ concept, but offers a real,
earthy, human feel to the relationships found within the book. In Reunion we
see how people are defined by what they love, and the tests they must overcome
to truly realise it.
How have
you found your journey to publication?
Although
I will never look at any pieces of my work as truly finished – I will always
alter something on every reread – the road to becoming published took much
longer than writing the book itself. I must admit, I was fresh, green,
and very naive to the process – believing that once my manuscript landed on the
right desk I would be offered an advance on a series of books and left free to
travel the world and explore what inspires me. And, I have to be clear on
this, that wasn’t born out of any arrogance. I genuinely thought that was
how writers lived their lives. So, on receiving what was probably the
5th, 6th, 7th, 18th rejection letter, I soon realised that it took a little
more than just writing something worthy of publication to get noticed.
The publishing world, afterall, is a business, and many companies now enlist
literary agents to preread all submissions. These agents will admit that
they are not ‘bookies’, but rather stern, strict filtering systems for their
publishers. Also, with the birth of self-publishing and Ebooks, it is
more of a chance for publishers to take a punt on a writer who has no ‘sales
record’.
However, I remain a traditionalist and was determined to go the
classic route of finding a publisher directly. Brit Writers
were a god-send. Having been offered a lot of advice about Reunion,
the main point being that the book was on such a large scale it would take a
very ambitious publisher to take a punt on such an epic tale for an unknown
author – I began to write a more commercially viable, more plosive piece of
work, just to get my ‘foot in the door’. But then Brit Writers came
along. Showcasing the very best of the unpublished author market, Brit
Writers nominated Reunion for best novel at the 2011
Awards. Having been selected from around 25,000 submissions, suddenly the
publishing world took notice. Soon, I was asked by the great people at DB
Publishing to be their launch title for their new fictional publications, and
now I am set to enjoy the release of Reunion through the main
channels such as Waterstones and Amazon, as well as the Ebook avenue of iBooks,
Kindle and Kobo.
Tell us
about your experience of the 2011 awards ceremony and how was it being a
finalist?
My
experience at the Brit Writers 2011 awards was fantastic.
After the usual setbacks that a new writer encounters, the recognition I
gathered from the awards made me believe again in Reunion. I
always knew it was good enough, but your confidence does take a knocking and so
you begin to assess other ‘access-avenues’. However, the awards made me
acknowledge what I had gone through as simply the ‘norm’ and to ignore any
doubts I had on making Reunion reach the mass market.
The event itself was a great night, and I got to meet so many like-minded,
passionate people that showed – away from the competitive business side of the
‘book-world’ – the people at the very heart of it just want to express, enjoy
and share their art.
What
advice would you give to new and unpublished writers?
Just keep
going. Never compromise on what you want to achieve, regardless of how
you get there. Look at the current market, especially with the increase of
Ebooks, as exciting rather than challenging or daunting. As long as you
know where you want to go, don’t ever give up because you feel lost.
Don’t expect anything, only you can get yourself there. So make it
happen. Take every piece of advice as constructive, but not necessarily
decisive. I was told that Reunion was too long by many –
it only takes one person to turn ‘too long’ into ‘epic’ and you’re off.
Will we
be seeing you again at the Brit Writers Awards 2012?
I would
love to go – if invited – but I also appreciate that this is a time to showcase
fresh, new talent. I’m happy for the limelight to be cast onto others,
like it was on me that night. But, please feel free to follow me on
Twitter and I will advise anyone who feels that I can.
What
would you like to say to anyone reading this right now?
Thank you
Tom
Cheers Thomas! Next time i feel i need to bend my writing to rules, i will re-read this interview :)
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